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Dream in a Passenger Seat

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suicideblonde:

The Tree of Life Cannes Review from The Hollywood Reporter
Brandishing an ambition it’s likely no film, including this one, could entirely fulfill, The Tree of Life is nonetheless a singular work, an impressionistic metaphysical inquiry into mankind’s place in the grand scheme of things that releases waves of insights amidst its narrative imprecisions. This fifth feature in Terrence Malick’s eccentric four-decade career is a beauteous creation that ponders the imponderables, asks the questions that religious and thoughtful people have posed for millennia and provokes expansive philosophical musings along with intense personal introspection. As such, it is hardly a movie for the masses and will polarize even buffs, some of whom may fail to grasp the connection between the depiction of the beginnings of life on Earth and the travails of a 1950s Texas family. But there are great, heady things here, both obvious and evanescent, more than enough to qualify this as an exceptional and major film. Critical passions, pro and con, along with Brad Pitt in one of his finest performances, will stir specialized audiences to attention, but Fox Searchlight will have its work cut out for it in luring a wider public.
Shot three years ago and molded and tinkered with ever since by Malick and no fewer than five editors, The Tree of Life is shaped in an unconventional way, not as a narrative with normal character arcs and dramatic tension but more like a symphony with several movements each expressive of its own natural phenomena and moods. Arguably, music plays a much more important role here than do words — there is some voice-over but scarcely any dialogue at all for nearly an hour, whereas the soaring, sometimes grandiose soundtrack, comprised of 35 mostly classical excerpts drawn from Bach, Brahms, Berlioz, Mahler, Holst, Respighi, Gorecki and others in addition to the contributions of Alexandre Desplat, dominates in the way it often did in Stanley Kubrick’s work.

 I can not wait. This looks like such a beautiful film.
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suicideblonde:

The Tree of Life Cannes Review from The Hollywood Reporter

Brandishing an ambition it’s likely no film, including this one, could entirely fulfill, The Tree of Life is nonetheless a singular work, an impressionistic metaphysical inquiry into mankind’s place in the grand scheme of things that releases waves of insights amidst its narrative imprecisions. This fifth feature in Terrence Malick’s eccentric four-decade career is a beauteous creation that ponders the imponderables, asks the questions that religious and thoughtful people have posed for millennia and provokes expansive philosophical musings along with intense personal introspection. As such, it is hardly a movie for the masses and will polarize even buffs, some of whom may fail to grasp the connection between the depiction of the beginnings of life on Earth and the travails of a 1950s Texas family. But there are great, heady things here, both obvious and evanescent, more than enough to qualify this as an exceptional and major film. Critical passions, pro and con, along with Brad Pitt in one of his finest performances, will stir specialized audiences to attention, but Fox Searchlight will have its work cut out for it in luring a wider public.

Shot three years ago and molded and tinkered with ever since by Malick and no fewer than five editors, The Tree of Life is shaped in an unconventional way, not as a narrative with normal character arcs and dramatic tension but more like a symphony with several movements each expressive of its own natural phenomena and moods. Arguably, music plays a much more important role here than do words — there is some voice-over but scarcely any dialogue at all for nearly an hour, whereas the soaring, sometimes grandiose soundtrack, comprised of 35 mostly classical excerpts drawn from Bach, Brahms, Berlioz, Mahler, Holst, Respighi, Gorecki and others in addition to the contributions of Alexandre Desplat, dominates in the way it often did in Stanley Kubrick’s work.

 I can not wait. This looks like such a beautiful film.

(via bohemea)

  1. martinvanger reblogged this from suicideblonde
  2. puffhead reblogged this from -killerqueen
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  6. laurelyse reblogged this from suicideblonde and added:
    Things I’m still excited for.
  7. taylorgotbeats reblogged this from bohemea and added:
    I’m anxious to see this, I don’t think Searchlight will have a hard time marketing it to a wide audience though. It has...
  8. tumblerchi reblogged this from humminghive
  9. lifeofthings reblogged this from bohemea
  10. aucontraireplz reblogged this from bohemea and added:
    i feel like i will absolutely love this movie.
  11. bisous-a-tous reblogged this from bohemea and added:
    Some are calling it pretentious, but any movie that a director spends nearly 40 years dreaming up is worth a shot in my...
  12. taylorparduhn reblogged this from iamonlyamaid and added:
    I want to see this so bad.
  13. citizenwasp reblogged this from bohemea
  14. seca reblogged this from bohemea and added:
    I can not wait. This looks like such a beautiful film.
  15. thekhoff reblogged this from bohemea
  16. chazkeats reblogged this from iamonlyamaid
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